Compare how a sense of claustrophobia is built up in the Handmaids Tale and an Evil Cradling

Margret Atwoods fictive autobiography The Handmaids Tale And Brian Keenans autobiography, An Evil Cradling documenting his kidnapping by fundamentalist Shiite militiamen twain lay a superstar of claustrophobia. Each novel defers tional. strophobia Keenan the reflectivity of claustrophobia within the protagonists. An Evil Cradling presents Keenans physiologic claustrophobia as a hostage and the aro employ entrapment. Both authors successfully create a sense of claustrophobia whilst exploring the different situations of both protagonists.Both Offred and Keenans lifestyles appear purge more claustrophobic in demarcation line to their previous lives. There is an asymmetry in the presentation of a sense of claustrophobia within and between the two novels. Whilst on the one hand, both writers bed with the notion of claustrophobia as having a negative consequence on their lives. On the other hand the life of the main protagonists before their confined assure is presented with co nsiderable differences. These differences ar exemplified in the opening chapters of both texts.Keenan in his geographic expedition of life before captivity seems to suggest life was not every(prenominal) that tranquil and certainly not with let out its problems before he was taken captive in the Lebanon, where one might imagine the root of all his problems with claustrophobia began. In the preface Keenan states, I was brought up in that harsh, divided landscape of northern Irish, working class and I went into with all its baggage. Furthermore he claims in his first chapter, Before I left Belfast, I had been torn with a desperate kind of love and distaste for my place. Both statements from the two part of Keenans book, show that his life, as he puts it himself, was a type of cul-de-sac. This fiction for a dead-end shows that Keenan was no more free in his native Ireland, so much that he was forced to seek mental comfort elsewhere. The inviolate opening chapter of an evil cra dling shine ups Keenans disconnection with his country and how he felt detain and a sense of claustrophobia in a place so acquainted(predicate) to him. Contrastingly, Atwood presents her protagonist as having a far more affectionate, possibly blush tinted view on her life before taken into captivity.In Atwoods A Handmaids Tale Offred conveys a large amount of nostalgia towards her past. In the opening chapter Atwood contrasts the senses of the past. The lights be vividly described as a revolving ball of mirrors, powdering the dancers with a snow of light. Atwood chooses this poetic metaphor to show her fondness towards previous times. Atwood describes the simplicity of the lights under the authoritiesn The lights were turned down but not out. Offreds feelings of extreme claustrophobia are exacerbated through and through the juxtaposition of the former senses. In Offreds case she is more sensitive towards these feelings of granting immunity.Offred is a victim of gradual ent rapment that has been apparent in her society for many old age chapter 28 reveals the gradual oppression of women Things continued in that state of hang up animation for weeks Newspapers were censored roadblocks began to appear, and identipasses by stripping women of their political and social rights the Gileadean regime came to power. Offred uses listing to highlight the continuous changes in society, specifically directed at women, showing her own shock and resentment towards her gradual effort. Offred does not entirely demonstrate nostalgia towards her past in the opening chapters.Atwood constantly uses similes throughout that are reminiscent of the past. These similes present an escape from the routine regime they often drive the senses which allow Offred to escape the regime by remembering and juxtaposing elements and senses of the past. Its almost exchangeable June, Offred shifts in mental perspective via association of seasons, Offreds memories of the seasons are supe rimposed everyplace Gileads charade of normality, it is as though Offred escapes into her own private narrative underneath her imprisonment as a handmaid her recollections act as independence from the past.Both Offred and Keenans sense of claustrophobia is intensified by the way that their human rights are no longer recognised and they permit no independence of choice. Keenans face fungus is used in The Devils Barbershop to symbolise his dignity and freedom of choice. Keenan is very loth(p) to have his byssus shaved off his behaviour becomes the manifestation of claustrophobia. He becomes attached to his beard and it symbolises his freedom of expression, Ive had this beard for too long for about halfwit who thinks he owns me to make me what he wants me to be. Throughout this passage Keenan uses long sentences that highlight his heightened emotions, Keenans aggressive tone towards his captors besides shows his reluctance to change, Keenans identity is displayed through his be ard and similarly to Offred he is being make to conform and accept his claustrophobic purlieu. In The Handmaids Tale Offred is defined by her logical, and looses her previous identity. This expresses that in Gilead their lives have become so claustrophobic that even their ability to express themselves has been repressed.Offred feels pin down in a body which rigidly controls women. The colour coding of womens habilitate indicates that in this society their individual identities are lost in decreed functions. Everything except the move around my face is red the colour of product line, which defines us a sister, dipped in blood. Atwood uses this negative metaphor to highlight Offreds feelings towards loosing her individuality. Offreds uniform in addition acts as a physical restriction, The white wings they are to keep us from seeing, but also from being seen. It is made apparent that their clothes are also a way of physically restricting them as way of control, deliberately designed to limit the Handmaids view. The blood red is a constant reminder of the vilification of women in Giliadean society. business red is symbolised throughout the novel and acts as a constant reminder to Offreds role in society, although her role as a child barer allows her more freedom under the regime it is also the one thing that traps her. The description of the characters surroundings and routines present a sense of claustrophobia, Offreds account of going out and doing the periodical shopping illustrates this.Under the Gileadaen regime the Handmaids never went out unaccompanied, this partnership system provided both chaperones and spies. Offred considers the image of both women dressed identically in red, opinion of them as doubles, both visually and in circumstances. The truth is that she is my spy, as I am hers. Each woman traps the other. However, a suggestion of freedom is present in the structure of the two novels. For Keenan, his ability to let his mind thread in times of extreme captivity has been vital to his survival.Keenan changes tenses abruptly, from describing the cell, to a present time, showing the way in which his mind jumps, to escape his present situation. However, in Into the Bread Basket Keenans senses were take out down by the tight confinement of the tape which will not let my mind escape. Now that even his mind drive outnot escape he feels as if a riot is bursting out within my senses which further reflects how his repressed senses are desperate to escape the confinement, without his freedom of mind Keenan finds himself completely trapped.Correspondingly, Offred is able to escape into her private world of depot and desire. Offred uses storytelling as a means of personal survival her narrative is the just now way of bridging the gap between an isolated self and the world outside. It is also a story I am telling, in my head, as I go along. Offred is able to escape the intense feelings of claustrophobia through express ing her feelings. Atwood chooses short sentences to emulate the natural nature of speech resulting in a flowing structure. business organization plays a main role in increasing the sense of physical claustrophobia give birthd by both Keenan and Offred. In into the bread basket Keenan uses imagery that creates associations with remnant I am being embalmed and mummified and I am going spine to the coffin. This demonstrates how in such claustrophobic conditions where all his senses have been effectively shut off he is completely helpless and that in these cramped hidden conditions the difference between life and death becomes uncertain.Keenan carries on this extended metaphor in the oxymoron a living corpse this again reflects the negative experience of being in such claustrophobic conditions. Finally, both authors have used literary and structural techniques to reveal the many ways in which claustrophobia can be created and intensified. Although the two protagonists situations ar e very different, as Offred lives a controlled and throttle life and Keenan one of absolute entrapment they show many similar traits and emotions triggered from their individual feelings of claustrophobia.