Character Development In Sense And Sensibility :: essays research papers

Book Review 1Development of study CharactersSense and SensibilityThe first of Jane Austens published allegorys, Sense and Sensibility, portrays the life history and loves of two very different sisters Elinor and Marianne Dashwood. The contrast between the sisters characters results in their attraction to vastly different men, sparking family and societal dramas that are contend out around their contrasting ro humannessces. The younger sister, Marianne Dashwood, emerges as one of the novels major characters through her treatment and characterization of people, embodying of emotion, relationship with her aim and sisters, openness, and enthusiasm.Marianne is in the jejune business of classifying people- especially men- as romantic or unromantic (Intro II). Mariannes checklist mentality is observed by ElinorWell, Mariannefor one cockcrow I think you have done pretty well. You go to bed what he thinks of Cowper and Scott you are certain of his estimating their beauties as he ought, and you have either assurance of his admiring Pope no more than proper. (Chapter 10) To site a unique(predicate) incident, Marianne describes her opinion of Edward Ferrars- her sisters interest- as being very amiable, that he is not the kind of man she expects to seriously attach to her sister. She goes on to find, what in her opinion are flaws, that Edward Ferrars reads with little feeling or emotion, does not regard music highly, and that he enjoys Elinors drawing, yet cannot appreciate it, for he is not an artist (15).In a man, Marianne seeks a lover and a connoisseur, whose tastes coincide with her tastes. He must be open with feelings, read the equal books, and be charmed by the same music (15). Marianne seeks a man with all of Edwards virtues, and his person and manner must ornament his uprightness with every possible charm (16). Mariannes mother relates Mariannes matureness beyond her years by reminding Marianne Remember, my love, that you are not seventeen. It is yet likewise early in life to despair of such an happiness (16). Mariannes brand of free expression sometimes has little else to recommend it (Intro, I). What is received of Mariannes classification system is true of her manners in superior general In her refusal to place social decorum and propriety above her testify impulses and desires, she is absolutely unbending (Intro, II). Marianne is also characterized as being very charming. For example, she believes her poetic effusions to be striking in themselves as well as unblemished expressions of her inner life (Intro, VII).